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Schooling Corporate Citizens examines the full history of accountability reform in the United States from its origins in the 1970s and 1980s to the development of the Common Core in recent years. Based in extensive archival research, it traces the origins and development of accountability reform as marked by key government- and business-led reports―from A Nation at Risk to No Child Left Behind and Race to the Top. By using the lens of social studies and civic education as a means to understand the concrete impacts of accountability reforms on schools, Evans shows how reformers have applied principles of business management to schools in extreme ways, damaging civic education and undermining democratic learning.

The first full-length narrative account of accountability reform and its impact on social studies and civic education, Schooling Corporate Citizens offers crucial insights to the ongoing process of American school reform, shedding light on its dilemmas and possibilities, and allowing for thoughtful consideration of future reform efforts.

• Sales Rank: #1387756 in Books
• Published on: 2014-12-12
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .64" w x 6.00" l, .94 pounds
• Binding: Paperback
• 304 pages

Review

"The current focus on competition, accountability, and the corporate approach to schooling has roots that stretch back decades. Evans skillfully traces how the influence of individuals, interest groups, corporations, and neo-conservative ideologues has distorted the way we talk about the purposes of education in a democracy. With this meticulously-researched book, Evans brings his multi-volume history of social studies up to the present with balance and detail, while never betraying his deep commitment to meaningful, progressive-oriented civic education."

Thomas Fallace, Associate Professor, College of Education, William Paterson University of New Jersey

"Ron Evans makes yet another contribution to his outstanding oeuvre on the history of social studies education with Schooling Corporate Citizens. Drawing on a range of primary sources, this book demonstrates the anti-progressive, anti-democratic, and anti-community consequences of business-minded accountability reform, particularly for citizenship education and education for democracy. This compelling, thoroughly-researched account inspires readers to reverse the damage caused by accountability reform in order to help revive social studies education that is inquiry-oriented, child-centered, issues-centered, and democratic."

Anne-Lise Halvorsen, Associate Professor, College of Education, Michigan State University

"The overall lesson from Evans’ most delightful and exquisite account of the recent years of educational policy in the USA is, perhaps, that whenever Australian politicians (e.g. ‘Gillard…touted New York’s…school accountability as the world’s best’, (Donnelly, 2010)) flaunt the educational achievements of the USA, one might like to become tremendously apprehensive.”

Thomas Kilkauer, Senior Lecturer, Sydney Graduate School of Management, University of West Sydney

About the Author

Ronald W. Evans is Professor in the School of Teacher Education at San Diego State University.

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[F104.Ebook] Download When Attitudes Become Form: Bern 1969/Venice 2013, by Claire Bishop, Benjamin Buchloh, Charles Esche, Boris Groys, Jens Hoffmann, Ch&uacut

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In a daring act of historical reconstruction, the curator Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, has recreated Harald Szeemann’s epochal Live in Your Head: When Attitudes Become Form, held at the Bern Kunsthalle in 1969, and installed by Celant at the magnificent Ca’ Corner della Regina in Venice in June–November 2013. Szeemann’s show was a dialogue with the Bern Kunsthalle, and Celant has reprised its spirit by placing the works in dialogue with the Ca’ Corner della Regina--a very different building, in its Venetian grandeur, to the Kunsthalle. This publication is divided into three parts: the first reproduces photo documentation of the original exhibit, the second compiles essays and interviews on Celant’s project and the third includes the installation views of the show in Venice. The book is completed by a "Register" of works included in both shows.

• Sales Rank: #1016590 in Books
• Published on: 2013-09-30
• Original language: English
• Number of items: 1
• Dimensions: 11.30" h x 2.20" w x 8.50" l, 5.20 pounds
• Binding: Hardcover
• 700 pages

Review
My art book of the year. (Julia Peyton-Jones The Art Newspaper)

Titled 'When Attitudes Become Form: Bern 1969/Venice 2013,' that show impressed crowds at last summer's Venice Biennale with its heady contrasts of 1960s art and 18th-century architecture (not to mention its meticulous fidelity, where possible, to the original installation). The book is just as exacting, with archival photographs of the Bern show and a detailed register of all its artworks. (Karen Rosenberg The New York Times)

About the Author
Claire Bishop is the author of "Installation Art: A Critical History" and a contributor to many art journals, including "ArtForum", "Flash Art", and "October". She is a Lecturer in History of Art at the University of Warwick.

Boris Groys is Professor of Russian and Slavic Studies at New York University. He is the author of many books, including "Ilya Kabakov: The Man Who Flew into Space from His Apartment" (2006) and "Art Power" (2008), both published by the MIT Press.

Dieter Roelstraete is the former Manilow Senior Curator at the Museum of Contemporary Art Chicago and a curator of Documenta 14.

Terry Smith served as an infantryman for 30 years in the Army Reserve. This included three and a half years on full time duty in the Regular Army, from 1970 to 1973, after volunteering for service in South Vietnam. Following training as a tropical warfare adviser, he arrived in South Vietnam on 1 July 1972 where he joined the Australian Army Training Team Vietnam. In Vietnam, he served with the Phuoc Tuy Training Battalion of the United States Army Vietnam Forces Armee Nationale Khmer (FANK) Training Command, until the completion of that programme in November 1972 and thereafter, with the Jungle Warfare Training Centre at Van Kiep. Following the withdrawal of the Australian Army Training Team Vietnam from South Vietnam on 18 December 1972, he completed his full time military service with the 5th Battalion the Royal Australian Regiment, before returning to civilian life in December 1973. He was appointed a Member of the Military Division of the Order of the British Empire in 1977 and a Member in the General Division of the Order of Australia in 2010.

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0 of 2 people found the following review helpful.
Excellent catalog for an important show
By S. Koterbay
For those of you who don't know, the original exhibition in 1969 was one of the most important exhibitions in the history of conceptual art. This catalog accompanies an attempt to recreate that exhibit in 2013, with fantastic success. Mixed in amidst photographs of the originals installation are images of the work as it is today or as it has been recreated. This is an important book.

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The gold-mines of Midian and the ruined Midianite cities. A fortnight's tour in north-western Arabia This book, "The gold-mines of Midian", by Richard Burton, is a replication of a book originally published before 1878. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible.

• Sales Rank: #4139648 in Books
• Published on: 1979-03
• Original language: English
• Dimensions: 1.14" h x 8.31" w x 5.67" l,
• Binding: Hardcover
• 282 pages

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2 of 2 people found the following review helpful.
Historical Treasure
By Jeffrey L. Whittaker
It was wonderful to secure this unassuming volume for my personal library! Filled with actual diary entries by Sir Richard, it carries the reader through a 19th century travelogue which bares unexpected fruit relative to the historical veracity of the Holy Bible!

0 of 0 people found the following review helpful.
Five Stars
By Charis K.
Great

16 of 22 people found the following review helpful.
Troubled, Mistitled, Schizophrenic
By Michael Green
For the first time in my readership of Burton, the author avoids criticizing, belittling or scorning his travel companions, largely because his travel companions are little to the purpose.
Unfortunately, most of what Burton writes is little to the purpose. Like his other works, I expected this to be a knowledgeable travelogue and journal of discovery, but a discovery of what? Burton spends the first quarter of the book discussing Alexandria and Cairo before he gets underway (this last detail almost lost in the maze of other irrelevant observations). He names every sedimentary formation and every flower on his route, and then disputes or corrects every historical observation on Midian -- Biblical, Greek, Latin and Arab. When someone washes a handful of sand and exposes a tiny nugget of gold (presumably the intended core of this book), the detail itself appears as a small nugget amidst so much worthless sand.
From time to time, a promising anecdote or observation on a Biblical place or event raises clarity above the labyrinth, only to plunge again and at length.
Glutted with learning, too heavy for the non-scholarly reader, thick with observations of questionable relevance, and fraught with meaningless, private anecdotes, the book taxes the reader considerably. Use caution.

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A level 1 Oxford Bookworms Library graded readers. Written for Learners of English by Rowena Akinyemi

It is the year 2522, and the planet Earth is dying. The Artificial Ozone Layer is only 300 years old, but it is breaking up fast. Now the sun is burning down on Earth with a white fire. There is no water. Without water, nothing can live. Trees die, plants die, animals die, people die . . .

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The planet Earth is burning, burning, burning . . .

• Sales Rank: #1399878 in eBooks
• Published on: 2008-03-15
• Released on: 2013-02-25
• Format: Kindle eBook

About the Author
Mary Bassett is one of the world's leading experts on spotted ponies. She has been breeding Native British Spotted Ponies for the last twenty years and, as the most prolific producer in the country, has exported Broomells Spotted Ponies to Holland, Sweden, Denmark and Switzerland.

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[D376.Ebook] Download Facing Beauty: Painted Women and Cosmetic Art, by Aileen Ribeiro

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Throughout the history of the Western world, countless attempts have been made to define beauty in art and life, especially with regard to women's bodies and faces. Facing Beauty examines concepts of female beauty in terms of the ideal and the real, investigating paradigms of beauty as represented in art and literature and how beauty has been enhanced by cosmetics and hairstyles.�

This thought-provoking book discusses the shifting perceptions of female beauty, concentrating on the period from about 1540 to 1940. It begins with the Renaissance, when a renewed emphasis on the individual was reflected in the celebration of beauty in the portraits of the day. The fluid, sensual lines of the Baroque period initiated a shift toward a more "natural" look, giving way in the 18th century to a more stylized and artificial face, a mask of ideal beauty. By the late 19th century, commercial beauty preparations had become more readily available, leading to new technological developments within the beauty industry in the early 20th century. Beauty salons and the wider availability of cosmetics revolutionized the way women saw themselves.�

Ravishing images of some of the most beautiful women in history, both real and ideal, accompanied by illustrations from costume books, fashion plates, advertisements, caricatures, and cosmetics, bring the evolving story of beauty to life.

• Sales Rank: #826431 in Books
• Published on: 2011-11-29
• Original language: English
• Number of items: 1
• Dimensions: 11.28" h x 1.23" w x 9.40" l, 4.89 pounds
• Binding: Hardcover
• 256 pages

Review
"[A] work of meticulous historical and cultural scholarship . . . full of gorgeous prints, history, and incisive and often humorous commentary."—Stephanie Barner, MAKE (Stephanie Barner MAKE)

"[Ribeiro] provides a wealth of information . . . Her analysis of the images not only provides an engaging commentary on the ideals and social customs illustrated by the artwork, but also makes accessible to a general audience the philosophical concepts informing the diverse notions of beauty that developed."—D.H. Cibelli, Choice (D.H. Cibelli Choice)

"Inspired images of some of the most beautiful women in history, both real and ideal, accompanied by illustrations from costume books, fashion plates, advertisements, caricatures, and cosmetics, bring the evolving story of beauty to life. Facing Beauty is an essential reference for anyone invested in the beauty industry."—Shine Dharan, Stylesight (Shine Dharan Stylesight)

About the Author
Aileen Ribeiro is Professor Emeritus in the history of art at the Courtauld Institute of Art, London.

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[J526.Ebook] Ebook Free Developing Musicianship Through Aural Skills: A Holistic Approach to Sight Singing and Ear Training, by Kent D. Cleland, Mary Dobrea-Grind

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Developing Musicianship through Aural Skills, Second Edition, is a comprehensive method for learning to hear, sing, understand, and use the foundations of music as part of an integrated curriculum, incorporating both sight singing and ear training in one volume. Under the umbrella of musicianship, this textbook guides students to "hear what they see, and see what they hear," with a trained, discerning ear on both a musical and an aesthetic level.

Key features of this new edition include:

• Revised organization, with exercises gradually progressing from the simple to more difficult, taking beginner students’ varied skill sets into account.
• An enhanced companion website, with interactive training modules for students to practice core skills, and additional exercises, dictation lesson plans and worksheets for instructors
• Enhanced coverage and a specific methodology for covering post-tonal material
• Greater emphasis on developing improvisation skills and realizing lead sheets

The text reinforces both musicianship and theory in a systematic method, and its holistic approach provides students the skills necessary to incorporate professionalism, creativity, confidence, and performance preparation in their music education. The second edition of Developing Musicianship through Aural Skills provides a strong foundation for undergraduate music students and answers the need for combining skills in a more holistic, integrated music theory core.

• Sales Rank: #807919 in Books
• Published on: 2014-12-11
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x 9.25" w x 1.50" l,
• Binding: Paperback
• 520 pages

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1 of 1 people found the following review helpful.
All about the Ear – Well-Integrated, Comprehensive Approach to Aural Musicianship
By frankp93
I received a free item to review.

It would be a mistake to regard ‘Developing Musicianship Through Aural Skills’ as just another sight-singing text/anthology with an isolated chapter or two of rhythmic studies.

The scope and pedagogic intent here are nothing short of building an aural skillset to carry musicians through professional careers as composers, arrangers, conductors, theorists, performers - including improvisers. The authors' recurring point is that aural comprehension in a tonal context is a must-have prerequisite for substantive creative musical work.

But that’s not to say the book is a pitch-only affair. Rhythm and meter are given equal footing from the very first module - composed entirely of examples of simple meter using basic subdivisions, and including anacrusis.

This material is not just meant to be ‘clapped through’ and forgotten. Students are asked to notate rhythmic elements, sound the rhythms without pitch, and ‘vocalize’ a particular voice, performing solo or with a partner. Many rhythmic examples are abstracted single and multi-voice works intended to prep the student for comparable literature before incorporating pitch elements.

As the degree of chromaticism in the melodic material progresses through successive modules so do the rhythmic challenges through complex meters, syncopation, polyrhythms and irregular divisions. The complexity rivals anything in Hindemith’s famous book of exercises for musicians.

There are often competing ideas on how best to teach aural skills in the context of tonal music, whether classical, jazz or popular. ‘Relative Pitch’ deals with abstracted intervals and chords often taught and drilled outside of actual musical context. Various vocalization techniques incorporate fixed and movable ‘Do’, functional numbers or neutral syllables.

The authors of ‘Developing Musicianship Through Aural Skills’ believe that pitch relationships should always be conceived, comprehended and executed within the context of diatonic harmony – either specific major/minor scales or derived from underlying chords in a particular harmonic setting.

They authors emphasize this method provides the student with a more solid connection to actual music, enhancing enthusiasm and the learning process itself. They favor ‘movable Do’ to label pitches but they’re not dogmatic about it and encourage students to embrace their teacher’s choice and above all strive for consistency.

The method of presentation in the book’s modules generally places rhythmic exercises first, followed by pitch patterns that emphasize tonal relationships (similar to scale fragments) to be studied outside of specific melodic contexts. The pitch patterns function as ‘lab studies’ allowing the student to focus on and absorb the tonal forces that later reveal their musical application in actual literature. It’s only after these patterns are comfortably assimilated that actual melodic material presented.

Once this feeling for tonal context is established by taking apart major and minor scales, then larger interval patterns, triads and seventh chords are introduced. But instead of learning them simply as abstract entities, the student incorporates them into an evolving ‘tonal consciousness’.

The musical examples are primarily 17th-19th century common practice classical literature – but not exclusively. Aside from later 20th century examples of post-tonal melody, there are a number jazz and various world/ethnic music examples.

There’s a module covering improvisation but this is improvisation in a rather free tonal classical context – think organ improvisation. Perhaps it’s something to stir the imaginations of classically-oriented composers and arrangers. While by no means a jazz theory book, jazz musicians whose interests include classical music might pick up some fresh ideas and perspective here.

And while the book is not a harmony text, astute readers will absorb much ‘applied harmony’ and the book makes an excellent supplement to a dedicated harmony text.

As mentioned, there’s an overall progression towards more and more chromatic material including mixed modes, extended and altered dominant chords, remote and chromatic modulations before the book makes the conceptual leap where few ear training books dare to tread: post-tonal music. Here in the final chapters the concept of ‘tonal context’ used throughout is refined, but never completely jettisoned.

The book presents what the authors deem to be two year’s worth of material - but that’s subject to reduction and restructuring to meet specific needs.In addition to the intended aural training, the book can serve additional practical needs: Composers and arrangers will find of treasure trove of melodic practice to emulate, set, vary and build upon. Instrumentalists can practice transposition and sight-reading.

The ‘Intermezzo’ sidebar essays inserted throughout the book on topics including ‘Professionalism’, ‘Musicality’, ‘Listening’ and ‘Perseverance’ are surprisingly interesting meditations on professional musical life that ring true.

The book actually calls to mind Ron Gorow’s excellent ‘Hearing and Writing Music’, geared more explicitly towards commercial musicians. In my opinion ‘Developing Musicianship Through Aural Skills’ has just as much to offer experienced musicians as it does aspiring students and is well-worth examining for a ‘how best to apply’ path to commit time to.

0 of 0 people found the following review helpful.
outstanding book
By U.S. Citizen
this is an outstanding book to go through all the basics of ear training for both the beginner and the professional.

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This educational and preventive treatment manual gives you easy-to-use techniques for relieving chronic back pain and rheumatoid joint pain. This new approach to prevention and treatment of back pain is simpler, inexpensive, less dangerous and more effective.
-- Learn the vital information on the mechanics behind your spinal column, the role of the disc and its needs for water
-- Learn the simple body movement that will promote fluid circulation in the disc spaces the twill result in relief of back and sciatic pain

• Sales Rank: #2387658 in Books
• Published on: 2003
• Format: Import
• Original language: English
• Number of items: 1
• Dimensions: 8.27" h x .39" w x 5.91" l, .40 pounds
• Binding: Paperback
• 104 pages

Amazon.com Review
Dr. Batmanghelidj received his formal medical education at St. Mary's Hospital Medical School of London University. He provides for the layman a clear and comprehensive book on the origins of chronic pain. His clinical and scientific research exposes, for the first time, that recurring "chronic pains" are a signal system of the body indicating severe general or local dehydration. Most of these pains can be relieved simply by drinking water. Instead, however, the patient often receives costly pharmaceutical medications which treat rather than cure.

In this book, back pain and rheumatoid joint pain as indicators of local chronic dehydration are explained. The mechanisms involving the important role of water in holding the spinal column together are discussed. Based on years of detailed study of the human anatomy and the science of physiology, Dr. Batmanghelidj has devised a new exercise approach for the successful hydration of the disc core, the retraction of the displaced discs, and immediate relief of pain, even sciatica. These exercises are clearly explained and demonstrated, and may be the only way to save yourself from the surgeon's knife.

This book is unlike any other "how-to" book on the market. It is an instructive presentation about the very simple way of finding comfort and relief from two of the most commonly occurring pains of the body low back pain and rheumatoid joint pain.

From Scientific American
The book explains simply and professionally for the layman what back pain is. An important book, extraordinarily useful...the sort of news that could change your life. No kidding. Dr. Batmanghelidj has really got hold of something.

Review
Back pain is an enormous problem in this county. Half of Americans have at least one day of back pain a year which interferes with their daily routine, and the average for such back-related incapacity is six days. Over 40 million people over 15% of our population suffer from chronic back pain. The medical costs for treating back pain total $80 billion a year. That is about $9 million an hour, 24 hours a day! Much of the cost is for the 200,000 operations performed annually to remove discs from spinal vertebrae.

I just can't believe the design of the human body is so faulty that some 15% of us should wind up crippled with back pain. I am convinced that our conventional treatment with drugs and surgery is not only NOT helping the problem but is probably making it worse--like swatting flies in a china shop with a baseball bat! Surely there is a simpler, less expensive, less dangerous, more effective approach to this enormous problem, and it is likely sitting there right under our noses.

Well, I may have just found it, and I want to share it with you. Simply put, your back hurts because it is thirsty. In his incredibly easy-to-read book, How to Deal with Back Pain and Rheumatoid Joint Pain, F. Batmanghelidj, M.D., of Falls Church, VA, outlines and convincingly supports a seemingly preposterous theory. He writes that a lot of our back pain, and even rheumatoid pain, is due to an insufficient amount of water, a symptom of chronic dehydration. In the most simplistic terms, our backs hurt because our bodies are thirsty.

Once you understand the mechanics behind your spinal column and how it supports your body, the connection between hydration and back pain is quite straightforward.

If you or someone close to you suffers from acute or chronic back pain, I suggest getting hold of Dr. Batmanghelidj's book. The words on the front cover say it all: "a preventive and self-treatment manual for those who prefer to adhere to the logic of the natural and simple." For acute or chronic pain caused by a disc compressing on a nerve, I recommend Dr. Batmanghelidj's back exercises. -- Dr. Julian Whitaker's Health and Healing: Tomorrow's Medicine Today Newsletter

Most helpful customer reviews

11 of 11 people found the following review helpful.
The procedure in this book is the most incredible and amazing thing I've ever done for my body
By m
I've had 2 surgeries in the past four years for my back/neck pain. Beforehand I could not even put a pair of socks on without screaming in pain. The procedure in this book is the most incredible and amazing thing I've ever done for my body.... spent hundreds and thousands of $$$$ for 'fixing' my back. This is your answer. DO IT..... TRY IT.... Amazing. I think God every day this book was given to me!!! 5*****'s

8 of 8 people found the following review helpful.
Sciatic Pain
By Christopher Preston
The exercise in this book were a miracle. I had severe sciatic pain and this book changed my life back to normal. I have had a disc removed and still had sciatic pain. This book has helped. I still have sciatic pain about 4 or 5 days a month but I can do these exercises and by the next day I feel good again. I highly recommend this book to anyone that is trying to live with back pain.

1 of 1 people found the following review helpful.
This is an older book. In my case it ...
By Amazon Customer
This is an older book . In my case it explained the pain well and by following the very simple exercises described in the book I was quickly relieved of pain. Over the years I have given several copies of this book away because it helped me. However I always keep a copy in case I get in trouble again I would not want to be without one.

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[E608.Ebook] Download PDF Karate The Art of "Empty-Hand" Fighting, by Hidetaka Nishiyama, Richard C. Brown

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Karate The Art of "Empty-Hand" Fighting, by Hidetaka Nishiyama, Richard C. Brown

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Master the techniques and theory of Japanese Karate with this easy-to-follow, illustrated martial arts guide.

Karate: The Art of "Empty-Hand" Fighting has inspired hundreds of thousands of karateka, and it remains one of the finest texts available on the technique, art, and spirit of karatedo.

This definitive volume is a systematic presentation of the art of traditional Japanese karate. An easily accessible martial arts manual illustrated with more than 1,000 photographs, this comprehensive karate book gives step-by-step explanations and thorough analysis of all the basic movements and techniques of karate.

Topics of Karate the Art of "Empty-Hand" Fighting" include:

• The history of Karate
• The theories and principle of Karate
• The best training and exercise methods
• Karate techniques like stance, blocking, and attacks
• Defenses against weapons

• Sales Rank: #107381 in eBooks
• Published on: 2011-12-20
• Released on: 2011-12-20
• Format: Kindle eBook

Review
"What this phenomenal book has, that many martial arts books don't have, is constant reminders to 'avoid these mistakes.' This is one of the many reasons that so many martial artists have found value in this work. Throughout the entire book, they consistently highlight shortcomings to avoid, essentially bringing a qualified instructor right into your home. I wholeheartedly recommend this book to any serious martial artist and to those who are just curious about karate. Its price is quite nominal, making it more than an affordable addition to your library, but also as a means of measuring ones betterment." — KarateForums.com

Most helpful customer reviews

31 of 31 people found the following review helpful.
May be the best karate book ever written
By A Customer
This is the most complete instructional karate book I've ever seen. It came out in 1960 and has still not been improved on. The authors were disciples of Gichin Funakoshi, the founder of modern karate. There is very clear step by step and pictorial instruction on how to do all the moves of traditional shotokan karate, the original style out of which all the others grew. If you are attending a karate class now you will recognize your techniques in this book. The styles haven't changed that much in 40 years. There are probably more moves in this book than in your class.
The book has 22 chapters. Some of the chapter titles are: striking points and vital points, stance, hand techniques, foot techniques, sparring, and throwing techniques. There are 40 pages of self defense moves.

17 of 17 people found the following review helpful.
Fundamental Shotokan Karate
By A Customer
Karate: the Art of "Empty Hand" Fighting by Hidetaka Nishiyama and Richard C. Brown is the perfect starter book for any one wishing to learn Shotokan Karate. It describes all the stances, punches, strikes, blocks, and kicks. An explanation of the application of Karate techniques in self-defense situations is given. Briefly outlined is the history and principles of the art but what is indispensable in the book are the recommended schedules for the different training situations which make this book a perfect guide for the student and helpful manual for the instructor. After learning what is in this book I would suggest moving on to one of the books by Robin L. Rielly; either Complete Shotokan Karate, ISBN 0-8048-2108-9, or The Secrets of Shotokan Karate, ISBN 0-8048-3229-3. My only wish is that the chapters on Kumite and Kata would be expanded but that is why I recommend the two books above as well.

22 of 25 people found the following review helpful.
Early work but still great
By magellan
Considering this book came out originally in 1960 and was the first large-format book on Karate I had seen up to that point, it is remarkable that it has rarely been exceeded in all the time since. The photos of the basic techniques are very clear. The applications sections are generous with good coverage of sparring and self-defense. Nishiyama was in his prime here and you can see the power and intensity in his techniques.

I have a personal story about Nishiyama, although I didn't study with him myself, but one of own karate students did, and he told me this story. Nishiyama was in Los Angeles for some time back in the 60's and he was conducting a training session. One of the students, a guy by the name of Ray Dalke, who later led the U.C. Riverside Shotokan club to several national championship titles, was in the class. I met Dalke when I was a doctoral student at UCR back in the early 80's, but I actually heard this my student. Ray had never been very loose in the legs, especially the groin stretch, where you sit on the ground in a quasi-lotus position and bounce your knees up and down and try to get them all the way to the ground.

Anyway, Nishiyama came around to Dalke, and noticed his problem. He says to Dalke, "You want to have loose lap?" (Sometimes Nishiyama's English was a bit rough, but the meaning came through loud and clear). Dalke says, "yes, Master, I do." Nishiyama says again, "Are you sure you want to have loose lap?" Dalke says, "Yes, yes, Master, I want it more than anything!" At that moment Nishiyama jumps up into the air and comes down with both feet planted squarely on Dalke's knees, driving them all the way to the floor.

Well, he said Dalke's scream of agony could be heard for two city blocks. They had to get an ambulance and take Dalke away. But he survived and was back later after he healed with the "loosest lap" you've ever seen. I hope Ray doesn't mind my telling his story. Like I said, I met Ray in about 1980 when he was the faculty karate instructor at UC Riverside and he was really a pretty cool guy, as well as an excellent instructor. He loved the Shotokan katas and I recall having an enjoyable discussion with him about some of the more advanced forms.

Anyway, Nishiyama is one of the greats of the Shotokan style and this book is still one of the finest books on the subject. I will say one more thing about Nishiyama, which is that he has the most vicious-looking front kick I've ever seen. I've tried to emulate his style on this one but he's basically got the patent on it. Overall, still a great classic on the subject of karate that has rarely if ever been exceeded.

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